The turn of the twentieth century was the Golden Age of Illustration in the U.S. and the U.K., when, thanks to advances in print technology, a vigorous public appetite for finely illustrated books was met with works by illustrators such as Arthur Rackham (English, 1867-1939). [Read more…] about Take a look at the sketches in the beloved books illustrated by Arthur Rackham
Detecting forgeries of Aubrey Beardsley’s influential artworks
“Pray forgive my frankness when I say that two of them are not only not by A.B. [Aubrey Beardsley], but are not in the least like him! It is astonishing to me how many people are taken in. Is it not perhaps because they buy a name and not a work of art? I hope that is your excuse. But you are in good company.”
— R. A. Walker (1944)
[Read more…] about Detecting forgeries of Aubrey Beardsley’s influential artworks
Season’s greetings in the Ransom Center’s collections
“Dear Miss Crawford,” writes D. H. Lawrence in a letter dated December 23, 1909, “I hope my verses won’t offend you. I know they are poor enough. But do you like my little card?” The “little card,” sent to Grace Crawford and today part of the D. H. Lawrence collection at the Ransom Center, is a small, handmade Christmas greeting card, its front and back covers decorated with watercolors by Lawrence. On the front, four bees surround a stock of delicately drooping bluebells; one bee has attached itself to a flower. On the back, Lawrence has finely rendered a mayfly, with elegantly arranged wings and legs. [Read more…] about Season’s greetings in the Ransom Center’s collections
Powerful currents: John Wilson’s Down by the Riverside prints
The dark male figure, head bent to the driving rain indicated by the dense lines that cover the page, lifts a slight woman into a simple rowboat. The boat’s bow is pointed through the floodwaters toward higher ground, its port side steadied by a second stooped male. [Read more…] about Powerful currents: John Wilson’s Down by the Riverside prints
Meticulous free verse: Mallarmé’s Un Coup de Dés and Ellsworth Kelly
“The literary value, if I may say it, of this span of empty space on the page, which mentally separates groups of words or words themselves, is to periodically accelerate or slow the movement, the scansion, the sequence even, given one’s simultaneous view of the entirety of the page…” (Stéphane Mallarmé, “Observation Relative au Poème Un Coup de Dés jamais n’abolira le Hasard,” Cosmopolis, May 1897, p. 412 [trans.]) [Read more…] about Meticulous free verse: Mallarmé’s Un Coup de Dés and Ellsworth Kelly
George Macy’s illustrated editions of Charles Dickens’s Christmas classic
Between July 1937 and March 1938, Nonesuch Press—under the direction of George Macy—set out to publish what it billed as the most extensive collection yet made of Charles Dickens’s writings. It had already been an energetic few years. Macy founded the subscription-based Limited Editions Club in 1929, and the Heritage Press in 1935, before acquiring London-based Nonesuch Press in 1936. Nonesuch’s practice of teaming up a small hand press for design and commercial printers for production allowed for a wider circulation of its fine-press quality books. [Read more…] about George Macy’s illustrated editions of Charles Dickens’s Christmas classic