This is the last of a three-part series of posts highlighting the influence and work of Countée Cullen, a poet and editor during the Harlem Renaissance. Cullen used the special issue of Palms as a springboard for a book-length anthology. Caroling Dusk, An Anthology of Verse by Negro Poets, was… read more
Color
Countée Cullen and “The Negro Number” of Palms
This is the second of a three-part series of posts highlighting the influence and work of Countée Cullen, a poet and editor during the Harlem Renaissance. In the mid-1920s anthologies of African American writing found a receptive audience in the United States and abroad. The poetry magazine Palms embraced the trend… read more
“Countée Cullen. Twenty-two. Watch him.”
![Carl Van Vechten (1880-1964) [Portrait of Countee Cullen, in Central Park], June 20, 1941.](https://sites.utexas.edu/ransomcentermagazine/files/2016/02/3a42847r.jpg)
Countée Cullen was one of the first poets to establish a national reputation in the midst of the Harlem, or New Negro, Renaissance. Critics recognized Cullen’s first book of poetry, Color (1925), as a significant literary achievement.