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Looking at Frida Kahlo

July 6, 2020 - Tracy Bonfitto

In London, the Victoria & Albert Museum extended the run of its 2018 exhibition Frida Kahlo: Making Her Self Up, remaining open for 48 hours straight in order to accommodate demand. In Mexico City, lines regularly snake around the block for entry into Casa Azul, the birthplace of Frida Kahlo and the house in which she lived with husband Diego Rivera until her death. Museums all over the world have hosted displays of Kahlo’s paintings and personal possessions in recent years, and Kahlo’s likeness appears on everything from phone cases to protective face masks, from clothing to home furnishings, from tequila bottles to dolls.

Twenty years after her death, increased international interest in Frida Kahlo (Mexican, 1907-1954) began to percolate in the late 1970s, when her work was met with renewed interest by political activists and feminist scholars. Today it is easy to see that “Fridamania” is in full swing. [Read more…] about Looking at Frida Kahlo

Filed Under: Art, Featured1 Tagged With: Art, art collection, Frida Kahlo

Donated Tom Lea drawings add depth to collection

March 22, 2012 - Jennifer Tisdale

De Negre, 1931. Pen and ink. ©Tom Lea Institute.

The Harry Ransom Center recently received a generous gift of four Tom Lea drawings. Dating from 1931 to 1951, the drawings of dancers and an acrobat showcase another artistic focus of Lea’s (1907 – 2001) expansive career.

Donated by Sandra Snyder, the drawings were previously owned by her aunt, Martha Esquivel Hahn, of El Paso, Texas. Hahn, herself a dancer and wardrobe supervisor, was a friend of Lea. Hahn and Lea went to the same high school in El Paso together and were life-long friends. After living in Chicago, New York City, and Las Vegas, Hahn returned to El Paso, where she opened a ballet school. One of the drawings, Portrait of Martha, is of Hahn.

The four works will be added to the Ransom Center’s Sarah and Tom Lea art collection, which consists of the artist’s personal art works, including book illustrations, paintings, drawings, and lithographs. The Ransom Center also holds a large archive of manuscripts relating to Lea’s books, including The Brave Bulls (1949) and The Wonderful Country (1952), both of which were produced as films.

“It is a good day when someone contacts the Center about finding a proper home for their artwork, especially when the work is strongly associated with artists already in the collection,” said Ransom Center Associate Curator of Art Peter Mears. “Ms. Snyder’s thoughtful gift of Tom Lea drawings adds depth to the collection as well as new insight into this El Paso artist’s exceptional career.”

The Tom Lea collection is accessible for research in the Ransom Center’s Reading and Viewing Room. The Tom Lea Room (located on the Ransom Center’s third floor), which chronicles Lea’s life and career and includes period photographs and original works of art, is available by appointment.

Please click the thumbnails to view full-size images.

 

De Negre, 1931. Pen and ink. ©Tom Lea Institute.
De Negre, 1931. Pen and ink. ©Tom Lea Institute.
Tom Lea (American, 1907-2001). Untitled. Inscribed: "To my friend Martha [Esquivel Hahn] –Tom Lea," ca.1950. Pencil on paper. ©Tom Lea Institute.
Tom Lea (American, 1907-2001). Untitled. Inscribed: “To my friend Martha [Esquivel Hahn] –Tom Lea,” ca.1950. Pencil on paper. ©Tom Lea Institute.
Untitled [Male performer/acrobat], 1931. Ink and brush on paper. ©Tom Lea Institute.
Untitled [Male performer/acrobat], 1931. Ink and brush on paper. ©Tom Lea Institute.
Tom Lea (American, 1907-2001). Untitled [Ballerina], 1951. Watercolor and ink wash on paper. ©Tom Lea Institute.
Tom Lea (American, 1907-2001). Untitled [Ballerina], 1951. Watercolor and ink wash on paper. ©Tom Lea Institute.

Filed Under: Art Tagged With: art collection, donation, El Paso, Martha Esquivel Hahn, Peter Mears, Sandra Snyder, Sarah and Tom Lea, Tom Lea

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