Before and After
The conservation department of the Ransom Center is responsible for the care and preservation of the Center’s collections. This feature highlights repair and conservation work on collection items.
The exhibition Alice’s Adventures in Wonderland features two 1933 toy paper film strips called Movie Jecktors. The film strips portray two of the most memorable parts of the Alice story: “Down the Rabbit Hole” and “The Mad Hatter.” Images and text are printed in three colors on 35″ strips of translucent paper. The strips are rolled onto wooden dowels and stored in colorfully printed little boxes. The Movie Jecktors would have been used with a toy film projector to create a simple animation.
The Ransom Center’s Movie Jecktors required conservation before they could be safely displayed in the galleries. Both the wooden dowel and the storage box, which is made of wood pulp cardboard, had a high acid content. An acidic environment is harmful to paper. The Movie Jecktors had become brittle and discolored, and there were many tears and losses to the paper. The film strips had been repaired in the past with pressure-sensitive tapes (the common tape we all use to wrap gifts). These tapes are never appropriate for repairing paper that we hope to preserve because they deteriorate and often darken over time and are also difficult to remove once in place.
As the Ransom Center’s paper conservator, I removed the tapes using a heated tool and reduced the residual adhesive using a crepe eraser. I mended the tears and filled the losses using Japanese paper and wheat starch paste. For the fills, the Japanese paper was pre-toned with acrylic paint to allow these additions to blend with the original paper. Areas of ink loss were not recreated.
Visitors to the exhibition can see the areas of the filmstrips that were damaged, but those areas are now stabilized and less distracting. This kind of treatment reflects the practice of conservation to preserve, but not “restore,” the object’s original appearance. Libraries, archives, and museums today often choose the conservation approach because it allows researchers and other visitors a better understanding of the object’s history, including damages that occurred, which may speak to the materials used in the object’s creation.
Meet the Staff: Heather Hamilton, Head of Paper Conservation
Remarkable set of miniature Masonic theater scenery receives conservation treatment
World War I Red Cross poster undergoes conservation treatment for exhibition
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The Ransom Center’s exhibition The World at War, 1914–1918 features a panoramic group portrait of the 103rd Aero Squadron (Lafayette Escadrille), the first U.S. aviation pursuit squadron in combat in France during World War I.
The photograph was sent to the Ransom Center’s conservation lab because it was tightly rolled, making it brittle and fragile. Previous attempts to unroll the paper had left one corner almost detached. The only clue as to its contents was a handwritten inscription on the roll’s outermost edge. Learn more about how photo conservators Barbara Brown and Diana Diaz worked to safely unroll the photograph to preserve it and display it in the exhibition.
Image: Eugene O. Goldbeck. Panoramic portrait of the 103rd Aero Squadron (Lafayette Escadrille). ca. 1919.
The Stanley Marcus collection of Sicilian marionettes, constructed between 1850 and 1960, consists of 60 marionettes and a backdrop curtain. The marionettes, which were originally purchased by entrepreneur Stanley Marcus in 1960, form a troupe of characters from the religious allegorical poem “Orlando Furioso.”
The figures, which are made of painted wood and metal components, stand about four feet tall and are dressed in fur, leather, cloth, and metal armor. The human marionettes have wooden heads, torsos, hands, and legs. Their arms are made out of folded cloth. A few figures have glass eyes, and some even have human hair adhered to their heads. Protecting the marionettes posed a particular challenge for the Ransom Center’s conservation and preservation team. Read the full article about the preservation efforts relating to the marionettes.
While writing Innocents Abroad, Samuel Clemens (known more familiarly as Mark Twain) carried a Bible during a trip to Constantinople in 1867. The book is now part of the Ransom Center’s collections and can be seen in the exhibition The King James Bible: Its History and Influence, which runs through July 29.
The Bible recently underwent some work in the Ransom Center’s conservation lab. Learn about the steps taken to conserve and house this historical book.