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David O. Selznick archive

The women who made Selznick’s screenplays

February 5, 2021 - Harry Ransom Center

by ERIN MCGUIRL
This essay is part of a slow research series, What is Research? Learn about the series and click here to add your voice to the conversation.

Research is part of the history of Hollywood’s Golden age. Eighty years ago, in the heyday of the studio system, little libraries on studio lots employed a handful of people who collaborated with writers, directors, producers, and designers to dig up the details that made the movies look and sound authentic. Studio researchers made sure that audiences were focused on the story, not the modern look of a movie set in the nineteenth century. [Read more…] about The women who made Selznick’s screenplays

Filed Under: Books + Manuscripts, Featured1, Film, Research + Teaching Tagged With: David O. Selznick archive, fellows, What is Research?

ABOUT ERIN MCGUIRL

Erin McGuirl is the Executive Director of the Bibliographical Society of America. Her background is in librarianship, and since 2008 she has worked with library and private collections of rare materials in New York City and elsewhere. Her writing has appeared in Printing History, Atlas Obscura, the blog for the Journal of the History of Ideas, and in the forthcoming Information: A Historical Companion (Princeton University Press).

Trailer music and setting the narrative: a fellow’s use of the David O. Selznick collection

May 9, 2017 - Marissa Kessenich

James Deaville (Carleton University) discusses his research interests in advance of his visit to the Ransom Center.

[Read more…] about Trailer music and setting the narrative: a fellow’s use of the David O. Selznick collection

Filed Under: Film, Research + Teaching Tagged With: 2017-2018 fellowships, Carleton University, David O. Selznick archive, Dorot Foundation, James Deaville

Conservation work completed on "Gone With The Wind" dresses

October 25, 2012 - Alicia Dietrich

In 2010, the Ransom Center raised funds to conserve original costumes from Gone With The Wind, which are part of the Center’s David O. Selznick archive. Donors from around the world graciously contributed more than $30,000 to support the conservation work, which will enable the Ransom Center to display the costumes safely in a fall 2014 exhibition, loan the costumes to other institutions, and display the costumes properly on custom-fitted mannequins.

Prior to the collection’s arrival at the Ransom Center in the 1980s, the costumes had been exhibited extensively for promotional purposes in the years after the film’s production, and as a result were in fragile condition.

The Ransom Center’s detailed and careful conservation work took more than 180 hours and occurred between fall 2010 and spring 2012.

Label in the green curtain dress reading "Sprayed with Sudol." Photo by Anthony Maddaloni.
Label in the green curtain dress reading “Sprayed with Sudol.” Photo by Anthony Maddaloni.

Both the green curtain dress and the burgundy ball gown had vulnerable areas stabilized to prevent further damage. The conservation work allowed the Ransom Center to loan the green curtain dress and burgundy ball gown to the Victoria and Albert (V&A) Museum in London for the exhibition Hollywood Costume, which runs from October 20, 2012, through January 27, 2013.

The conservation work will also enable the Ransom Center to display the original burgundy ball gown, green curtain dress, and green velvet dressing gown as part of a 75th-anniversary Gone With The Wind exhibition in 2014.

“The majority of the conservation work performed on these costumes would not be obvious or visible to one viewing the costumes on a mannequin,” said Jill Morena, assistant curator for costumes and personal effects. “It is the interior of the costumes where meticulous work occurred and vulnerable areas were reinforced with archival support material and extra stitching.”

A more detailed description of some of the conservation work conducted on these costumes is available, and the four videos here give a behind-the-scenes look at the work done on the green curtain dress, the burgundy ball gown, the wedding veil, and the green velvet dressing gown.

Filed Under: Conservation, Film Tagged With: burgundy ball gown, Conservation, Costumes and Personal Effects, David O. Selznick archive, Gone with the Wind, green curtain dress, green velvet dressing gown, Jill Morena, V&A, Victoria and Albert Museum

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