The Ransom Center’s Spring 2020 Stories to Tell exhibition features some of the earliest printed examples of illustrated English plays. [Read more…] about Picturing the plays of Shakespeare and his contemporaries
Most of the books that came to The University of Texas at Austin as part of the John Henry Wrenn Library didn’t look like old books when they arrived in 1918 and still don’t look old now—not as old, at least, as the publication dates of the printed pages inside would suggest. [Read more…] about Revealing an English Schoolmaster’s Piers Plowman
When Johann Gutenberg and his team published their Bible in the mid-1450s, what they were selling to buyers were sets of sheets, sheets of either paper or parchment that had text printed on them. What they were not selling were books—not, at least, if we take “book,” as we usually do, to imply a codex that is ready to read by turning a series of leaves held together at one edge. As I have written before, when a monastery, church, or private individual bought a Bible from Gutenberg, they had to find a scribe to add red text to spaces that the printers had left blank. Gutenberg’s customers had to find bookbinders, too.
The publication and series of programs Collated & Perfect tracks the changing standards that collectors, institutions, and scholars have used to describe and evaluate early printed books. Doing so reveals why the books take the often surprising forms they do today. [Read more…] about Collated & perfect
In order to understand the Gutenberg Bible, it is critical to remember that it is a medieval book that was designed to satisfy the needs of medieval readers. Today, we expect pages in most books to be black and white. To navigate what we read, we rely on variations in typography, centered text, indents, and other creative uses of white space. [Read more…] about Printing manuscripts
Sarah Werner is a book historian and digital strategist based in Washington, D.C. [Read more…] about Talking about early digital facsimiles with Sarah Werner