Ransom Center Magazine

Conservation

Deadline: 2028—Countdown to preserve audio materials

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We left off in part one wondering how to evaluate the Ransom Center’s unique non-commercial sound recordings, particularly when we aren’t able to access their audio content prior to preservation. Verifying written descriptions helps, but there are other considerations to keep in mind, such as a recording’s physical format—different types of material become increasingly unstable with age, but at different rates, and in different ways. [Read more…] about Deadline: 2028—Countdown to preserve audio materials

Deadline: 2028—Time is not on our side

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High stakes for cultural heritage

In just 11 years, the Harry Ransom Center could reach the point of no return!

[Read more…] about Deadline: 2028—Time is not on our side

The life of a dance costume, from the inside out

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A costume worn for the Ballets Russes’s production of Narcisse, currently on display in the exhibition Stories to Tell: Selections from the Harry Ransom Center, presents an intriguing glimpse into behind-the-scenes work at the dance company that electrified pre-World War I audiences in Europe and beyond. [Read more…] about The life of a dance costume, from the inside out

Conservation treatment gives new life to St. Jerome in His Study

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In addition to two portraits by the artist Mary Beale, the Ransom Center’s old master painting St. Jerome in His Study will be exhibited in the newly renovated galleries of the University’s Blanton Museum of Art from February 2017 to February 2019. [Read more…] about Conservation treatment gives new life to St. Jerome in His Study

Ransom Center conservator treats preliminary layouts for Ed Ruscha’s Hard Light

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The Edward Ruscha Papers and Art Collection at the Harry Ransom Center includes preliminary layout sheets for Hard Light, a collaborative artist’s book published by Ruscha and Lawrence Weiner in 1978. [Read more…] about Ransom Center conservator treats preliminary layouts for Ed Ruscha’s Hard Light