The Ransom Center’s two-volume Gutenberg Bible is on permanent display. Every few months the Center’s staff changes the opening, allowing visitors to see different pages and to protect the volumes from overexposure to light. [Read more…] about “Hasty and exuberant” decoration in the Ransom Center’s Gutenberg Bible
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The Jenson Bible joins the Gutenberg Bible’s page turning
Biblia Latina. Mainz: Johann Gutenberg, 1454–55.
Genesis, Chapter I. Volume I:5r
Among the most striking features of the two volume Gutenberg Bible is the consistency of its printing and the elegance of its letterforms: the rich black ink, evenly pressed into the page resembles the applied precision of a pen—and for good reason. The typeface of the Gutenberg Bible is based on the standard hand-written letterform used in religious works of the late-medieval period: Textura, also referred to as Blackletter, or Gothic. The letters have strong vertical stokes and a boxy appearance. The exact technique by which Gutenberg cast his type in lead is not fully agreed upon by scholars, but it is generally thought that the types were produced by casting molten metal into small letter-shaped molds.
[Read more…] about The Jenson Bible joins the Gutenberg Bible’s page turning
Gutenberg Bible Page Turning: Genesis, Chapter XI, Volume I:9r
Fall is here and with the turning of the leaves it is time to turn another page of the Ransom Center’s Gutenberg Bible. Our copy of the Bible is full of signs of previous readers and their interactions with the text. A rather interesting example of close reading is found in Genesis 11. [Read more…] about Gutenberg Bible Page Turning: Genesis, Chapter XI, Volume I:9r
The Gutenberg Bible turns a new page
The Ransom Center’s two-volume Gutenberg Bible is on permanent display in the lobby. Every three months the Center’s staff changes which page of the Bible is displayed, allowing us to share different pages with our visitors, and also protect the volumes from over exposure to light, stress on their bindings, and other preservation concerns. The process of turning the Gutenberg’s pages involves staff of the conservation department, exhibition services, the curator, and of course campus security. Each time we select a new opening we look for some unique or exemplary feature that will reveal the history of our copy or some unique feature absent from the other known copies of the Bible.
Clues help date pair of Hebrew Bibles with common thread
Behold this pair of Bibles. They were both owned by Andrew Fletcher (1653–1716), noted as the “Scotch patriot” in the Dictionary of National Biography. Fletcher had an interest in politics and letters but is often remembered today for his extensive library, believed to be the finest library in Scotland at that time. His distinctive signature can be seen on both images and in a Ransom Center copy of the first edition of the King James Bible (1611).
The first image is of the title page of a 1525 Hebrew Bible printed in Venice by Antwerp-born painter Daniel Bomberg. This was his third Hebrew Bible and the first to present the Masora, critical notes made on manuscripts of the Hebrew scriptures before the tenth century. It is dated ה”רפ on the title page, indicating 1525. The colophon, shown in the second image, is dated ח”רפ, but Darlow and Moule (no. 5086, Historical catalogue of the printed editions of Holy Scripture in the Library of the British and Foreign Bible Society, 1903) cite C.D. Ginsburg, who believes that the letter ח was substituted in error for the letter ה, thus changing the date from 1525 to 1528.
Also shown is a second Hebrew Bible. It was printed by Christopher Plantin of Antwerp in 1566. Leon Voet’s extensive bibliography on the Plantin Press [no. 650, The Plantin Press (1555–1589): A Bibliography of the Works Printed and Published by Christopher Plantin at Antwerp and Leiden, 1980] notes that the matrices for the type used in this Bible came to Plantin from his partner, Cornelis van Bomberghen, whose uncle was Daniel Bomberg, the printer of the 1525 Hebrew Bible. So, the two Bibles have a common thread.
Please click on the thumbnails below to view full-size images.
In the Galleries: Anatomy of the King James Bible title page
The title page of the 1611 King James Bible is the first title page of an English Bible to feature a depiction of the Trinity: Father, Son, and Holy Spirit. Though this Bible is traditionally called the “King James,” the title page does not announce the king’s patronage by featuring his image.
The imposing architectural frame, suggestive of a church edifice, is full of human figures, including Moses and Aaron, the Evangelists, and the Apostles. Traditionally, Jesus had twelve Apostles, but the thirteen depicted here include Matthias, who replaced Judas after his betrayal (Acts 1:26), and Paul, who described himself as an Apostle in Romans 1. Each apostle is represented by a symbolic attribute, though not all are easily identifiable.
The first edition’s title page and other materials pertaining to the King James Bible are on view in the exhibition The King James Bible: Its History and Influence through July 29.