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glass plate negatives

Un resultado positivo para un negativo en placa de vidrio

August 6, 2015 - Diana Diaz Canas

The glass plate negative of the Rialto Theater before treatment, broken into two pieces.

Antes de la invención de materiales plásticos, el vidrio y el papel eran los materiales principales para producir negativos en blanco y negro. Las placas de vidrio con emulsión de gelatina fueron producidas desde finales del siglo diecinueve (XIX) hasta mediados del siglo veinte (XX). La transparencia del vidrio facilitó [Read more…] about Un resultado positivo para un negativo en placa de vidrio

Filed Under: Conservation, Photography Tagged With: Albert Davis, Billy Rose Theatre Division, Broadway, broken glass, Conservation, fotografía, fragmentos, glass mending, glass plate negatives, New York City, NYPL, Performing Arts, photography. Conservación, Rialto Theatre, vidrio roto, White Studio

A positive outcome for a glass plate negative

August 6, 2015 - Diana Diaz Canas

Photograph of the Rialto Theatre in New York City, taken around 1920 by White Studio.

Before the invention of plastics, glass and paper were used to produce black and white photographic negatives. Glass plates with gelatin emulsion were produced from the late- nineteenth century until the mid-twentieth century. The transparency of glass made the plates very [Read more…] about A positive outcome for a glass plate negative

Filed Under: Conservation, Photography Tagged With: Albert Davis, Billy Rose Theatre Division, Broadway, broken glass, Conservation, glass mending, glass plate negatives, New York City, NYPL, Performing Arts, Photography, Rialto Theatre, White Studio

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Ransom Center Magazine is an online and print publication sharing stories and news about the Harry Ransom Center, its collections, and the creative community surrounding it.

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