“All the world’s a stage, and all the men and women merely players. They have their exits and entrances; And one man in his time plays many parts.” — As You Like It (Act II, Scene VII)
For four centuries, Shakespeare’s comedies, histories, and tragedies have held up a mirror to society, showing us our facility for both greatness and weakness. [Read more…] about Stage materials shine spotlight on centuries of Shakespeare
The Ransom Center presents its Shakespeare Film Series in conjunction with the current exhibition Shakespeare in Print and Performance, on view through May 29, 2016.
Tiffany Stern, Professor of Early Modern Drama at Oxford University, delivers the English Department’s Thomas Cranfill Lecture about her research on the play Der Bestrafte Brudermord (Fratricide Revenged) at the Harry Ransom Center this Thursday, January 16 at 4 p.m.
Stern, the Hidden Room theater company, and the American Shakespeare Center will produce performances of the play with puppets this month at the York Rite Theater in Austin between January 17 and February 2. Below, Stern writes about the history and origins of this production.
In 1781, a manuscript dated 1710, of a play called Der Bestrafte Brudermord (Fratricide Revenged) was published in Germany. Telling a bawdy and humorous version of the story of Hamlet, it seemed to relate to Shakespeare’s Hamlet in debased form. But what was it, and how did it come about?
For years Shakespeareans have been confused by Der Bestrafte Brudermord. Is it a unique record of an otherwise unknown version of Shakespeare’s play, or is it an adaptation of the Hamlet texts we know about? Crucially, what explains its non-Shakespearean features—its slapstick, pratfalls, crazed bawdiness, and wild humor?
Puppeteers have long felt they had the answer. They see in Der Bestrafte Brudermord a puppet play.
As an English professor who works with historical performance, I decided to research the puppet option. Beth Burns and her amazing Hidden Room theater company in Austin have tested that research through practice. They have mounted a unique show: a hilarious and touching eighteenth-century puppet Der Bestrafte Brudermord, translated into English, complete with fireworks, music, and a wonderful compere and showmaster, “the interpreter.”
You are warmly encouraged to hear my talk and then see the puppet Hamlet, Der Bestrafte Brudermord, at the York Rite Theater. Then you can decide for yourself whether Der Bestrafte Brudermord is simply a Continental adaptation of Shakespeare’s text or whether it is the product of what Hamlet so dismissively calls “puppets dallying.”
The play runs January 17 through February 2 at York Rite Masonic Hall at 311 W. 7th St. Performances are on Fridays and Saturdays at 8 p.m. and on Sundays at 5 p.m. The play runs 75 minutes.
Image credit: Production still from Der Berstraffe Brudermord by The Hidden Room theater company. Photo by Pat Jarrett.
