I have always loved to catalog presentation copies of books—those given as a gift from one person to another, usually with a signature or inscription. They represent a tiny piece of the people involved, and allow me to feel a connection to some of my favorite authors. Gabriel García Márquez’s library was no exception. [Read more…] about Gabriel García Márquez’s republic of letters
A fully illustrated catalog by Ransom Center Curator of Film Steve Wilson has been co-published by the Ransom Center and University of Texas Press to complement the exhibition The Making of Gone With The Wind.
Featuring more than 600 images from the Ransom Center’s archives of David O. Selznick, the film’s producer, and his business partner John Hay “Jock” Whitney, The Making of Gone With The Wind offers fans and film historians alike a must-have behind-the-camera view of the production of this classic film.
Read the foreword of the book by Robert Osborne, film historian and host of Turner Classic Movies (TCM), where he notes that Gone With The Wind was the first film aired when TCM launched in 1994.
Join the conversation about the exhibition online with the hashtag #makinggwtw. Stay up to date with the Harry Ransom Center’s latest news and information with eNews, the Center’s monthly email newsletter. Subscribe today.
The Gernsheim Collection, co-published by the Harry Ransom Center and the University of Texas Press, has been awarded an Alfred H. Barr Jr. Award, which honors a distinguished catalog in the history of art published during the past year.
Edited by Ransom Center Senior Research Curator Roy Flukinger, The Gernsheim Collection coincided with the Ransom Center’s 2010 exhibition Discovering the Language of Photography: The Gernsheim Collection, which explored the history of photography through the Center’s foundational photography collection.
The Gernsheim collection is one of the most important collections of photography in the world. Amassed by the renowned husband-and-wife team of Helmut and Alison Gernsheim between 1945 and 1963, it contains an unparalleled range of images, beginning with the world’s earliest-known photograph from nature, made by Joseph Nicéphore Niépce in 1826.
The book includes more than 125 full-page plates from the collection accompanied by extensive annotations in which Flukinger describes each image’s place in the evolution of photography and within the collection.